![]() Much of the inspiration for the work was drawn from Joseph Mallord William Turner’s ‘The Scarlet Sunset’ from 1839-40. Impression: Sunrise was influenced by the English landscapist JMW Turner and by Japanese prints. Though the sun is less prominent, the same shades of grey are used, and Monet paints another rowing boat and more ships' masts in the background. The below painting, Sunrise (Marine), bears similarities to Impression: Sunrise. Monet in fact produced a number of other paintings of Le Havre, including five more canvasses on the same trip in 1873. And, like most of the impressionists, Monet makes sparing use of black (to emphasise the central rowing boat). Thirdly, the painting uses colour in a bold fashion - the eye is immediately drawn to the circular sun. The painting of modern life was key to the impressionists, who rejected the historical, allegorical and religious scenes favoured by the conservative art establishment. Secondly, this is a modern scene of a recently industrialised port. For example, he excluded some houses on the left side of the scene that he thought were too ugly!
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